Occasionally, I write original stuff and post it here. More commonly, this is where I store pictures of art, museum exhibits, film stills, and other stuff I find interesting.
—Norton Island, Maine
For ten days now, two luna moths remain
silk-winged and lavish as a double broach
pinned beneath the porch light of my cabin.
Two of them, patinaed that sea-glass green
of copper weather vanes nosing the wind,
the sun-lit green of rockweed, the lichen’s
green scabbing-over of the bouldered shore,
the plush green peat that carpets the island,
that hushes, sinks then holds a boot print
for days, and the sapling-green of new pines
sprouting through it. The miraculous green
origami of their wings—false eyed, doomed
and sensual as the mermaid’s long green fins:
a green siren calling from the moonlight.
A green siren calling from the moonlight,
from the sweet gum leaves and paper birches
that shed, like tiny white decrees, scrolled bark.
They emerge from cocoons like greased hinges,
all pheromone and wing, instinct and flutter.
They rise, hardwired, driven, through the creaking
pine branches tufted with beard moss and fog.
Two luna moths flitting like exotic birds
towards only each other and light, in these
their final few days, they mate, then starving
they wait, inches apart, on my cabin wall
to die, to share fully each pure and burning
moment. They are, like desire itself, born
without mouths. What, if not this, is love?
Sean Nevin, from “Hinged Double Sonnet for the Luna Moths” (via aubade)